Paul Benedict Brand
This artwork is

0075 Eliduc and Guilladun

Research during the Tristan period brought further Celtic stories to notice. This work is an illustration of a medieval poem that had roots in France and the South West. A love triangle with jealousy and betrayal that becomes resolved by love and in giving service to God. P.B.B. writes "Part of the Celtic/Breton mythology. The full story can be read in 'The Ebony Tower' by John Fowles. In painting this there was an awkward time-warp to be grappled with hence the clothes and mixed architecture" (PBB, 1987). This time-warp was later utilised in the works on 'Early Music' (Cat. Nos 251, 259 and 270). There is also a political joke referencing the contemporary political relationship between Britain and the USA with the names 'Reagan' and 'Thatcher' placed on the thrones of the seated figures.

Subject

Mythology

Media

Oil and Acrylics /
Oil on board

Year

1978

Catalog no.

0075

Size (H x W)

48 x 36

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0075 Eliduc and Guilladun

Research during the Tristan period brought further Celtic stories to notice. This work is an illustration of a medieval poem that had roots in France and the South West. A love triangle with jealousy and betrayal that becomes resolved by love and in giving service to God. P.B.B. writes "Part of the Celtic/Breton mythology. The full story can be read in 'The Ebony Tower' by John Fowles. In painting this there was an awkward time-warp to be grappled with hence the clothes and mixed architecture" (PBB, 1987). This time-warp was later utilised in the works on 'Early Music' (Cat. Nos 251, 259 and 270). There is also a political joke referencing the contemporary political relationship between Britain and the USA with the names 'Reagan' and 'Thatcher' placed on the thrones of the seated figures.
Subject
Mythology
Media
Oil and Acrylics
Year
1978
Catalog no.
0075
Size (h x w)
48
x
36 inches
This artwork is

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